It features a clear lexan back plate allowing you an easy view inside the housing to confirm all controls line up properly and visually see if any leaks occur. I intend to buy FE 28mm F2 for my coming underwater trip, but with your photo, I will stick with my FE 35mm 2.8 then. 9.44 M dot EVF - the best resolution on the market! You will need to modify certain settings first. I currently have a Sony a6500 and was thinking of getting the Sigma 16mm 1.4 to be able to capture the whales with as much light as possible. Was 16mm to tight ? Sunlight reefs, warm seas, good food and fine wine. I am considering the 16-35mm as we speak.. ! Optically, any adaptor is also always a compromise, although this may be an acceptable one. Fisheye lenses - the port size doesn't really impact anywhere near as much. Sony A7S III for Underwater Photography. We found the autofocus to be very slow with the metabones adapter. The body has a dual card system built in that can accommodate CFExpress Type-A and UHS-II cards, We recommend using CFExpress cards to be able to shoot at higher bitrates of up to 600M. With the 16-35, I could slide the entire camera in and out of the housing without disasembling it. Sony shooters are going to be very happy, though it is not quite as user-friendly as Canon and Nikon menus. It was the first of it's kind and did not disappoint. Due to the differences in body design, different housings are necessary for the A7S III, A7III, and A7S II. We found it very useful for correcting white balance. The shift from 16mm to 12mm was worth the inconvenience, but if you find yourself needing to do quick battery changes on deck, might not be the best choice. However, most underwater video shooters are likely going to want to use the LCD or an external monitor. In video modes, you cannot select a point for AF tracking underwater. The body has three dials that can be used to control aperture, shutter speed, and ISO - including one on the D-Pad on the back. The sony 16-35 F4 has a 72mm thread which means it isn't compatible with the S&S correction filter (the 16-35 2.8GM has a 82mm thread). And Manchester City Football Club. When it comes to video, you want to have as close to a 1 to 1 pixel readout as possible. I also got 55mm 1.8, but it seems too narrow for closed photo… The Sony A7 III is a new "entry-level" 35mm full-frame compact system camera which, as you'll discover in our review, is far from being entry-level, despite being the cheapest model in the Sony full-frame line-up. $950.00. Our full review includes sample underwater photos and video. Only 12 left in stock - order soon. The A7S III has many more log profile for different shooting situations (as we outlined in our settings article). Could be limited by heat (4K @ 60p for at least an hour), S-LOG, HLG, and Cine type log picture profiles available, 4K @ 60p, 16-bit RAW video recording with an external recorder, 5 axis in-body image-stabilization (IBIS), new active steadyshot stabilization mode (incorporates digital image stabilization), Dual card slots (either SD or CFexpress Type A). For most applications, the A7S III is going to be the better choice. We recommend using the wide autofocus mode for wide angle video. Canon lenses can be attached to the Sony A7R IV with the Metabones, Sigma MC-11, or Photodiox adapters, but auto-focus is generally better with Sony lenses. I switched over to the Sony 12-24 f4, and it has worked quite well but it is less convenient with the Nauticam housing I am using for the A7III. This is because the photo functionality in the body has been updated with much of Sony's latest photo technology, including a very competent autofocus system. Unfortunately, not all housings will support the AF joystick. It also comes with a vacuum valve pre-installed for ultimate peace of mind. Make sure that auto review is on for long enough for you to review your photo after you have taken it. We hope you enjoy and come back often - Scott Gietler, Owner of UWPG and Bluewater Photo & Travel. Many of the confusing labels have been altered for better understanding and the menu system has been flipped 90 degrees and color coded. Unlike competing brands, we didn't find any warpiness in the video. The Canon EOS R5 is going to be a much better camera for those who want to focus on still photography as well. If you are shooting a logarithmic picture profile like S-Log2 or S-Log3 then we highly recommend using 10-bit 4:2:2 recording for accurate color grading. Welcome to the Underwater Photography Guide! Keep in mind that the data will start piling up on your card. Share this post. We think the R5 is a better choice for videographers who need 8K video for crops (particularly macro shooters) and people that want to shoot RAW or use animal eye AF tracking. I have the Sigma 15 for the Nikon I currently use, but the Sony fisheye options seem to be pretty limited from what I can see... Also, anyone have experience with the Sony 16-35 2.8 underwater? You will notice the 12-24mm lens they only recommend the 230mm dome port. Sony A7S III users have an excellent set of choices for shooting macro, wide, mid-range, and fisheye. I was the proud owner of an A7iii this summer, allowing me to get back into photography and use my legacy lenses. That said, most of my dives involve less than one hour of shooting per day, so I only need to swap out the battery every third day or so. When it comes to lowlight capabilities, the A7S III performs much better than the R5 due to its lower resolution sensor. The combinations of Sony's IBIS and 4K recording at 120 frames per second makes this camera a formidable choice if you need to shoot some action underwater (e.g., surfing, bait balls, sea lions, sharks, ect). This is because the photo functionality in the body has been updated with much of Sony's latest photo technology, including a very competent autofocus system. Overall I'm glad I went with the 12-24 since I like shooting very wide and it gives me more usable range: I usually shoot between around 12mm and 18mm. Underwater image makers rely on very wide angle lenses and macro lenses, and they were nowhere to be found. It beats out competitors like the Pansonic S-series with better lens options and the Canon EOS R5 with better engineering and recording times. In recent years, Sony has gone from having a limited supply of lenses for underwater photography to one of the best repertoire of native lenses for full-frame mirrorless cameras on the market. 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