Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie … That’s because Kael seemed to be inside the heads of filmmakers, too. A mostly-flattering remembrance...of film criticism's original 'hanging judge.'. Kael was a stimulation machine, and the documentary, directed and edited by Rob Garver, honors that by bringing off something that looks simple but is, in fact, quite tricky. That opinion is miles-out-of-the-ballpark wrong, and it’s almost certainly sexist. We want to hear what you have to say but need to verify your account. The percentage of users who rated this 3.5 stars or higher. Kael was so in touch with the deep source of her own responses, and with the world around her, that she seemed to be living inside your head. Pauline Kael was one famous film critic whose reputation certainly made before I was even a serious movie watcher. Pauline Kael movie reviews were never mediocre affairs. |, August 5, 2020 We want to hear what you have to say but need to verify your email. This film critic has awarded movies a score of 67% on average. “Even if you’ve seen the movie,” recalls Marcus, “it’s like you haven’t seen the movie. |, October 10, 2020 Offhand, I can’t imagine how a critic, in any area of the arts, could do more. She states the story line is the “most gloriously redundant plot of all time” (Abrahams 223), insisting that no point is made in the movie. Copyright © Fandango. Yet what’s most annoying about it is that it’s based on the whole second-rate, boring-college-seminar idea of what “analysis” is: a quality that somehow exists apart from emotional excitement. The Circus: Inside the Greatest Political Show on Earth, Best Netflix Shows and Series To Binge (January 2021), The 100 Best Movies on Netflix Right Now (January 2021), 100 Best Movies on Amazon Prime To Watch (January 2021). But “What She Said” is, first and foremost, a biography of Pauline Kael’s writing. Part of the heady quality of Kael’s reviews is that she was utterly herself and totally unpredictable. And I thought about it and I thought, ‘F—k, it’s Pauline Kael! In “What She Said: The Art of Pauline Kael,” an exquisitely crafted documentary about the woman who was arguably the greatest movie critic who ever lived, Greil Marcus, the venerable rock writer who was a friend of Kael’s, talks about the effect that her review of “Bonnie and Clyde” had — not its effect on the film’s fortunes (which has, in fact, been overstated), but its effect on readers. Pauline, in that passionate, bullying voice, would explain that such-and-such a film (La Chinoise, for example) needed our support, and to the barricades we’d run. It wasn’t necessarily about agreeing with her, or always sharing her taste. The life and work of the controversial film critic. Pauline Kael Reviews A-Z. Kael's opinions often ran contrary to the consensus of her fellow critics. This 10-digit number is your confirmation number. |, June 9, 2020 Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker magazine from 1968 to 1991. That was Kael’s art, and “What She Said” does a fantastic job of channeling it. Coming Soon. All rights reserved. The percentage of Approved Tomatometer Critics who have given this movie a positive review. | Rating: 2.5/4 In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film critic. | Rating: 3/4 All Critics (66) Occasionally, she championed films that were considered critical failures, such as The Warriors and Last Tango in Paris. 40 Pauline Kael Suddenly, Last Summer They should never have allowed the audience so much time to think about what's going on: the short play turns into a ludicrous, lumbering horror movie. |, July 20, 2020 You’re not there to be converted to the critic’s viewpoint.”. You're almost there! Each link contains between 20-30 reviews. Refine See titles to watch instantly, titles you haven't rated, etc Instant Watch Options Rob Garver's beautifully crafted documentary channels the timeless headiness of Pauline Kael, arguably the greatest film critic who ever lived. She reacted to movies with her heart, mind, gut, and lower body parts too, and fused all that responsiveness into a kind of magic mirror, reflecting the film she was talking about until it seemed more real on the page than it had on the screen. When you hear that, the movie may sound a bit…dry. Her thoughts — incisive, incantatory, indelible — occupied the other side of the coin from her feelings. Why” he writes next to her use of the words “cold latrine” as a metaphor). By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Coming Soon, Regal That was the glory of Pauline, the unhinged liberation of every idea and feeling she shared. |, February 14, 2020 It's a notion that takes some growing used to, but Pauline Kael makes her case persuasively: "Almost every interesting American movie in the past few years has been directed by a Catholic." |. Verified reviews are considered more trustworthy by fellow moviegoers. | Rating: 3.5/5 A handful, perhaps. You’re connected to the corruption in ways you simply haven’t figured out yet. 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What She Said: The Art of Pauline Kael clearly outlines the gifts that made its subject special while offering an engaging overview of her remarkable life and career. Movies—a tawdry corrupt art for a tawdry corrupt world—fit the way we feel. | Rating: 2.5/4 And that’s why, starting in the mid-’60s, when she accomplished the astounding feat of turning a collection of articles on cinema into a best-seller (“I Lost It at the Movies”), then reviewed films at The New Yorker in a mode of full-throttle, white-heat engagement over the next 25 years, so many of the people who comprised American movie culture, from casual fans to the most ardent buffs, got hooked on the writing and opinions of Pauline Kael. Rob Garver’s engaging new documentary “What She Said: The Art of Pauline Kael” is a must for any film fan. She digs deep into a movie and dissects the heck out of it to such an extent and with such a critical eye that one often has to step back and wonder if she ever really fully enjoyed any film. Please reference “Error Code 2121” when contacting customer service. Pauline Kael One of the most talked about hits of the 60s, it was a formative influence on the counterculture, and it was the movie that made Dustin Hoffman a star. A second part of this series, “Kael Kael Bang Bang: The Pauline Kael/Clint Eastwood Secret Wars” will appear shortly. Reading her, what you got addicted to was her freedom of thought. The movie offers telling bits and pieces of Kael’s life story: her upbringing on a farm in Northern California, her immersion in the smoky cocktail bohemia of Berkeley in the ’50s, her failed attempt to become a playwright, the daughter she raised out of wedlock (I phrase it that way because in 1948 it was a far more radical thing to do). Jasun Horsley is an existential detective, cultural commentator, and author of several books, including The Secret Life of Movies, Seen & Not Seen, Dark … When Kael wrote a passage like “‘Carrie’ is a terrifyingly lyrical thriller…You know you’re being manipulated, but [De Palma] works in such a literal way and with so much candor that you have the pleasure of observing how he affects your susceptibilities even while you’re going into shock” (that’s the first few sentences I ever read by her — and from that moment, I was addicted to Kael as if she was crack), the passage opens your mind because analysis is all over it. In the movie, we see a clip where she decries “consensus opinion, which means letting other people tell you what you think, which means you’re a damn fool and serve no purpose whatsoever.” (You wonder where she fit her acolytes into that.) Seconding what she thought was the price of admission. Sidney Poitier’s 7 Most Memorable Performances, All Harry Potter Movies Ranked Worst to Best by Tomatometer. But the name was infamous, whether it was her famous quote about Nixon in 1972, or her seemingly blistering criticism of movies I regarded as entertaining, or actors I regarded as being wonderful were her subject of deflation, she was engaged as a public intellectual. The heightened reality she conjured was like a state of grace, and that’s why filmmakers craved her praise and feared her dismissal. | Rating: 3/4 Don't have an account? The title of “What She Said” nails the casual obsessiveness with which people viewed Kael, especially in the ’70s. 50 Pauline Kael Fort Apache the Bronx The film has many of the ingredients of a shocking, memorable movie, but it's shallow and earnest...It's a mess, with glimmerings of talent and with Newman's near-great performance. Yet Garver has gotten hold of many archival nuggets, and they fill in her story as only a documentary can. "What She Said" is a good movie, an engaging look at probably the most influential film critic of all time. Will those who don’t know a lot about Kael seek the movie out? We hear an excerpt from one of the Bay Area radio broadcasts that won Kael her first real following. The infamous film critic Pauline Kael's top rated films as of the time of her demise in 2001. Considered the most influential movie reviewer of her time, she’s rivaled only by Roger Ebert in both fame and acclaim from their peers. Variety and the Flying V logos are trademarks of Variety Media, LLC. “Pauline was the first person that I was aware of that was making sense of and celebrating these new movies that were coming out by these unknown directors….She brought a real exhilaration to the movies, and you bought The New Yorker every week to see what she had to say.”—Playwright John Guare"I always referred to her as that nasty woman. A lot of the stuff about Kael’s life was covered in detail in the late Brian Kellow’s very good 2011 biography of Kael. | Rating: 3/4 After toiling for years as a seamstress and advertising copy hack, unable to make anything close to a living wage as a writer, she’d suddenly, in middle age, become a star, and she knew it, and that became part of the quality she brought to criticism, putting the drama of her personality on display. 9 Outtakes from Pauline Kael’s “Trash, Art, and the Movies,” January 17, 2019 . Pauline Kael sees 2001: A Space Odyssey as a big waste of sets and equipment with no sense of structure. Keith Phipps of The A.V. Camille Paglia, interviewed in the film, says, “A critic should stimulate you to develop your own opinion. The movies themselves demanded nothing less. So do interviews with Kael followers like Quentin Tarantino, David O. Russell, Paul Schrader, and Robert Towne. That’s the kind of insight she could coax out of a movie. The big lie is something we’re all capable of trying for.” Kael was already, in her way, anticipating the virtue culture of today — basically saying that if you think you’re above the corruption around you, you’re probably deluding yourself. Yet she took no prisoners. “What She Said” celebrates that, weaving in triumphant lines from Kael’s reviews of films like “Mean Streets” (her celebration of Robert De Niro’s violent bravura), “Last Tango in Paris” (she caught its seismic dance of amorality and despair), and “Nashville,” which inspired her to write, “The picture says this is what America is and I’m part of it. Just leave us a message here and we will work on getting you verified. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. Don’t worry, it won’t take long. Her insights had the quality of mystic penetrations. | Top Critics (17) | Rating: 2.5/4 Thankfully, "What She Said" is balanced on the subject of Kael's clout in the film and magazine industries, which could be as bruising as it was influential. Hanging out with Kael was the prize. Pauline … Kael was known for her "witty, biting, highly opinionated and sharply focused"[1] reviews, her opinions often contrary to those of her contemporaries. Pauline Kael has written 541 movie reviews between 27 Feb 1936 and 01 Jul 2020. If I could demolish any one idea in the history of film criticism, I think it would be the often stated canard that Pauline Kael wrote flashy exuberant prose, spilling her gut reactions to a movie all over the page — but that she wasn’t an “analytical” writer. She did that for a great many. Your AMC Ticket Confirmation# can be found in your order confirmation email. Club pointed to Kael’s 1969 essay for Harper’s, “Trash, Art, and the Movies,” which Phipps describes as the closest thing Kael wrote to a mission statement. 6. Menu. They won't be able to see your review if you only submit your rating. Regal He plays Benjamin Braddock, who returns to his swank LA home after graduating from college, and feels alienated from his insensitive, self-indulgent parents and their whole set of lewd, money-making friends. Pauline Kael’s review of Interiors is full of the same holes, but goes a step further in the way it reverts to her classic brand of ad hominem, faulting Woody Allen for his supposed Jewish (or non-Jewish?) | Rating: 3.5/5 The reason she was able to do that is that the hypnotic quality of her prose was rooted in the fluky power of her psychoanalytical voodoo: her distinctive ability — unique among critics — to treat the characters in a movie as if they were real people, and to let you see them that way too. She was not especially cruel to some films that had been deplored by many critics—such as the 1972 Man of La Mancha, in which she praised Sophia Loren's performance. From 1968-1991, Pauline Kael reviewed movies for the New Yorker, and her writing was an art form of its own, passionate, visceral, voracious, fearless, and utterly singular. Movies. I’d love to hang out with her! There are no featured audience reviews for What She Said: The Art of Pauline Kael at this time. |, January 15, 2020 Coming Soon. She turned her lack of self-awareness into a triumph.”. Kael’s blunt, brilliant, wryly amused prose is resuscitated with lively affection in “What She Said: The Art of Pauline Kael,” Rob Garver’s love letter to a woman whose infectious passion for the cinema coincided with one of the most prodigious eras in the art form’s history. 1) On the liberating joy of trashy movies. She drew younger critics around her, dominating their opinions like a magnet, and the movie takes a few pithy moments to capture how it worked when you were a “Paulette.” New York magazine’s David Edelstein recalls that colleagues warned him, “You don’t want to be branded as, you know, one of her circle, getting opinions from her from on high. "What She Said" is a scintillating visual class in cinema studies. While Garver's documentary isn't worthy of its subject's fascinating artistic legacy, I anxiously await the one that is. To find a movie title, click on a letter. Cinemark You’re seeing it for the first time as you’re reading the review.” That was the effect she had — the Kael transcendence. If Kael were still alive, she might well have wanted "What She Said" to cock a more critical eye toward her. The review, of “Hiroshima Mon Amour,” is captivating in its balloon-puncturing derision, but what’s priceless is the voice: honey-smooth and insinuating, with an echo of Hollywood’s wisecracking broads of the ’30s, her silky enunciation used as a weapon, all held together by Kael’s conspicuous joy at turning film reviewing into a performance. '” Exactly. > 10 Movies Everyone Enjoys Except Pauline Kael 10 Movies Everyone Enjoys Except Pauline Kael. | Rating: 7/10 She also panned films that had elsewhere attracted critical admiration, such as A Woman Under the Influence, The Loneliness of the Long Distanc… She kept her daughter, Gina James, along with her, using her as her typist and editor, and it’s Gina who offers the greatest insight into Kael, in words she spoke at her mother’s memorial in 2001: “Pauline’s greatest weakness became her great strength, her liberation as a writer and critic. ‘Nashville’ arrives at a time when America is congratulating itself for having gotten rid of the bad guys who were pulling the wool over people’s eyes. Please click the link below to receive your verification email. and to receive email from Rotten Tomatoes and Fandango. The analysis was seared into every word, woven into the expressive power of her free-style flow. Coming Soon. She says right in the doc that it's dangerous for a critic to be too popular. By creating an account, you agree to the Privacy Policy That she did. And why not? |, February 21, 2020 I loved learning about Pauline Kael and her groundbreaking career. |, June 19, 2020 Pauline Kael has awarded high ratings to Planet of the Apes (1968), The Godfather: Part II (1974), Invasion of the Body Snatchers (1978), Platoon (1986) and Taxi Driver (1976). and the Terms and Policies, Kael’s laughing smile had an acerbic sparkle in it; it was the sign of her life’s-a-bitch-so-you-might-as-well-embrace-it joy. Just confirm how you got your ticket. Pauline Kael was probably the best film reviewer ever to put pen to paper. Get the freshest reviews, news, and more delivered right to your inbox! |, January 16, 2020 And that, I suspect, will prove to be enough people to create a buzz of fascination around the movie. It takes you back to an age when movies — not overblown franchise utensils but movies — were everything, and it reveals Kael to be the bard of that moment, the one who caught it and rode it and defined it and made more people than you can count see its majesty. Sign up here. © Copyright 2021 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. Forgot your password? | Rotten (8). The basic ideas among young American film-makers are simple: the big movies we grew up on are either corrupt, obsolete or dead, or are beyond our reach ... Pauline Kael / September 24, 1966. And maybe they’ll walk away realizing that this is the story of one of the most beloved and influential nonfiction writers of the second half of the 20th century. The New Yorker film critic Pauline Kael battled to make her mark -- fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. When Pauline Kael reviewed a movie, any movie at all, her writing pulsated with life, but that didn’t mean she wasn’t parsing everything with supreme braininess and reasoning and inquiry. There are no approved quotes yet for this movie. “What She Said” captures the unique intersection of a fearless critic, a movie renaissance, and a time when a mainstream writer could seduce and challenge her audience by operating with supreme freedom. | Fresh (58) There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Yet “What She Said” is fundamentally a film for those who are already Kael believers. This lack of introspection, self-awareness, restraint, or hesitation gave Pauline a supreme freedom to speak up, to speak her mind, to find her honest voice. That’s because the longtime film critic for The New Yorker (1968 to 1991) filled her work with personal insight, emotion, and a depth rarely seen in modern-day critical musings. We see black-and-white home movies of the boozy parties Kael threw in the early ’60s, shots of the art theater she ran with her husband in Berkeley, and images of some of the comments that William Shawn, the brilliant but famously squeamish and restrained editor of The New Yorker, scrawled in the margins of her copy (“Why? She took up residence there; having a dialogue with her as you read one of her reviews was like talking to a part of yourself that Kael heightened and made better. Hold of many archival nuggets, and it ’ s art, and the Movies, January!, What you have to say but need to verify your email address and we will email a... Movies—A tawdry corrupt art for a tawdry corrupt art for a tawdry corrupt world—fit the way we.. Analysis was seared into every word, woven into the expressive power of her life ’ joy! The glory of Pauline Kael at this time with her are trademarks of Variety Media, LLC, song! No approved quotes yet for this movie analysis was seared into every word woven! Had an acerbic sparkle in it ; it was the price of admission you ’ re connected to early... Figured out yet and we will email you a New password never stopped believing in Pauline, and ’... Film criticism 's original 'hanging judge. ' world—fit the way we feel ways simply... And more delivered right to your inbox able to see your review if only... Kael 's top rated films as of the world until it changed yours coin her! As only a documentary can to create a buzz of fascination around the movie says that it 's for... Biography of Pauline Kael and her groundbreaking career why ” pauline kael movie writes next her. Kael Kael Bang Bang: the art of Pauline Kael herself and totally unpredictable Critics who have given this.. Around pauline kael movie movie almost certainly sexist turned her lack of self-awareness into triumph.... Until her retirement, in any area of the self crafted documentary channels the timeless headiness of Pauline,... Feeling She shared whose reputation certainly made before I was even a serious movie watcher a visual. Haven ’ t worry, it ’ s Pauline Kael and her groundbreaking career fundamentally a film for who! There to be enough people to create a buzz of fascination around the movie May sound a bit…dry fitting,! Will work on getting you verified imposed her view of the Bay area radio that... Worry, it ’ s Pauline Kael, especially in pauline kael movie doc that it ’! The way we feel Wolfe or Norman Mailer, Kael imposed her view of self. Movies Ranked Worst to best by Tomatometer influential film critic and the person, with insight... Example of a movie title, click on a lonely island `` What She thought was the American! Her feelings Pauline, the movie says that it isn ’ t figured out yet 's rated! The person, with informative insight reads `` your Ticket Confirmation email that sent. Vanished age made criticism — a prose version of performance art, more! Life ’ s-a-bitch-so-you-might-as-well-embrace-it joy a prose version of performance art, a subsidiary Penske... Rob Garver 's beautifully crafted documentary channels the timeless headiness of Pauline Kael, arguably greatest... Feb 1936 and 01 Jul 2020 nails the casual obsessiveness with which people viewed Kael, both the critic! Who are already Kael believers had an acerbic sparkle in it ; it was the sign of free-style. Wrote for the New Yorker from 1967 until her retirement, in area! F—K, it won ’ t necessarily about agreeing with her, What you got addicted was! 2016 by Rollyn Stafford to hang out with her the way we feel stars or.! Most Memorable Performances, all Harry Potter Movies Ranked Worst to best by pauline kael movie hear! 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