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AllMusic Review by Stephen Thomas Erlewine [+] It's not billed that way but given the Who 's productivity since their initial split in 1982, it's difficult not to view 2019's Who as the band's final album. As far as Townshend was concerned, they were a kind of art school project, complete with a thesis he’d written under the influence of Gustav Metzger’s concept of auto-destructive art, announcing that, as soon as they got famous, they were going to split up. This is the first in 13 years; before that, the gap had been 24. Search query All Results. If the end is near, as they seem to think, they're going out on their terms. Unfortunately, as Who enters its last third, it begins to sag. Reviews Album Reviews The Who – ‘WHO’ review: 13 years since their last album, this stands up alongside their classics Whether Roger Daltrey is bellowing through anti-war flamenco or … (Polydor)Despite their precarious relationship, Daltrey and Townshend return for their first album in 13 years, snarling at the Grenfell disaster and hoping for world peace, Thu 28 Nov 2019 12.00 GMT In 1972, he worked on an unreleased projected called Rock Is Dead. Author Classic Rock Review Posted on February 24, 2013 December 9, 2018 Categories Album Reviews Tags 1973 Albums, 2013 Reviews, Album Reviews by Ric Albano, British Artists, Pete Townshend, The Who 4 thoughts on “ Quadrophenia by The Who” Amid the innovations of 1966, he protested that pop’s innocence had been tragically lost. All rights reserved. It's a fine line that Townshend and Daltrey toe here, crafting a rock 'n' roll record for an audience that may not even be listening anymore. In the 13 years since the Who's last album, Endless Wire, Roger Daltrey and Pete Townshend released solo records, wrote books and toured together as the band they formed back in 1964. However, waiting is nothing new for The Who fans. That familiarity at times is its greatest asset. 15 Jan. Pete's gold Strat has been won! Either way, Townshend knows it's an uphill battle. This is obviously not the way heritage rock artists essaying their first album in 13 years are meant to carry on. If not everything here works – there’s nothing wrong with the political sentiment of Ball and Chain, it just feels a little lumbering and clumsy – there’s something exciting about hearing Townshend vacillating between declaring himself spent and readying himself for another charge. Announcing the album in January, Townshend led us to expect ‘dark ballads, heavy rock stuff, experimental electronica… and Who-ish tunes… with a guitar that goes yang-a-dang’. Last modified on Thu 28 Nov 2019 18.34 GMT, The first words you hear on the Who’s 12th studio album are Roger Daltrey, telling the band’s audience to get stuffed. Reviews. REVIEW The Who — Who Polydor ★★★★ ALBUMS by The Who do not come along often. And that opener, "All This Music Must Fade," is almost self-aware but without any sentimentality or nostalgia creeping in. "We raised some hell," Daltrey sings at the end of Who like a man who's resigned himself to shaking his fists at kids in his yard. Read More . Meaning my review and, in the grander scheme of things, the most recent offering from Pete Townshend and Roger Daltrey, still trading under the name “THE WHO”. ALBUM REVIEW: The Who shows who’s ‘Who’ on new record Six months after the release of The Who ’s new album, Who, the last two members of the original lineup will be north of 75 years old. 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